On the photography  end of things, I have been taking a great liking to the Gary Fong lightsphere.  It seems to work wonders when bounced off ceilings, and the nice thing is you get that fill light from the front as well.  So far it was worked excellent for me.  I have used it on one wedding and a bunch of portraits.  I will give it a test with a live music shoot this Friday. 

Enough with the rambling, here are some of my favorites from the day:

She was full of expressions

Mother and daughter

Playing with daddy!

This was the most impressive cupcake/yoodle display I have ever seen!

Fixing her braclet

Those are some small shoes!

The baby looking at a photobook of herself with family.

A bachelor's of baptism!

Sharing a moment with grandma

"I am gonna huff, and puff..."

My personal favorite of the day!

Our aviary, also known as "Our Shower"

For those of you that know Courtney or myself, you know about our 3 birds.  These guys while, they can be a pain, really do provide us with hours of entertainment.  Twice a week the 3 feathered creatures come into the shower with me for a bath.  They just love when I angle the shower head on them.  They sit and open up their wings and let the water fall on them.  Sometimes they even get lazy and fall asleep in the shower.  No point really to this post, just felt like posting something random.

From left to right: Simon, Alvin, and Theordore

20090815-hummingbirdpanosetup, originally uploaded by craig.proulx.

I recently got the chance to setup and play with the hummingbird studio I have test out all summer. With the help of my father, we had a pivoting bracket madeup by a local metal shop. The beauty of the bracket is that it is fully adjustable! You can use it in many different ways, even as a macro light directly affixed to a camera body! I hate being stingy on info, but I don’t want to give away the details just yet, as he might decide to patten and market it in the near future! The studio itself is basically a bunch of speedlights (580ex, old 550′s, 540ez’s) setup in front of our muslim aka little piece of foamcore clamped to the side of a gazebo where there is a feeder setup. People think we are crazy for having over 12 flashes between the two of us, but surprisingly, you can find these perfectly older units that have been slightly used or sometimes even brand new for very cheap money. In most cases you don’t need to concern yourself with TTL because the best way to do a lot of this strobist stuff is on manual anyway. These older flashes, while they may not have the latest and greatest technology, can still act as slaves from masters such as 550′s or 580′s. We chose to use a 3 way sync cord, in comination with the wireless feature for this setup. As you can see, two of the flashes have battery packs, which are nothing more than 8 additional AA’s connected to the flash. It greatly increase the recycle time, and I swear by these things when doing weddings! For those of you wondering about the batteries themsleves, please note that I am relatively new to the rechargable battery world. However, I have been successfully using the duracell NI-MI AA’s and have no issues. You want to make sure you buy the pre-charged ones, though, because there are two different types of rechargables. One is a slow discharge and one is a fast discharge. In a nutshell, one type will stay charged for months at a time when not being used, while another type will only last a week or so before draining down. I found out the hard way, but luckily not on a paid job! The reason now for all those flashes is to freeze motion. I have to admit that I am not completely satisfied with my photos, but a lot is due to the fact that I believe I had some stray ambien light in the frame, that I failed to notice. These flashes have something that higher powered studio lights don’t…shorter flash durations! In fact, when I added an alien bee 800 to the background, the longer duration of the alien bee caused even more ghosting than I had without! When trying to freeze something like a hummingbird, the most important thing is flash duration. Keep all the power dialed down as much as possible. Even 1/128 power if you can! In this case, we wanted plenty of coverage to really bring out all angles and sides of the bird. Side lighting and backlighting, also provides separation from the background. The shutter only has to be set at your sync speed, and no faster! Some manual focus these shots, but I find the autofocus to work very well. Hummingbirds usually come into feed and then backoff a couple of inches from the feeder where they hover before going back in to feed. It is at this hover point where I will lock my focus and wait until they return to this postion before tripping the shutter. I must appologize for again not having the best example to show you, but I thought this was a fun experiement and now I know exactly where I want my improvements! Remember, you really need to watch any stray ambient light. Your exposure should be a nearly completely black frame without your flashes going off. Ambient light will cause ghosting. Set your shutter to near sync, and find an f stop that will kill this light. Position your lights, meter them, and wait! Below is my panorama of a hummingbird sequence. It is composed of 3 separate exposures. Next year, I will try and nail it in one. Don’t know if it’s possible but, I am sure gonna try!

Now for the challenge.  This watch happens to glow in the dark.  I wanted to get a shot of nicely lit watch with the face glowing. 

Ok, so first I need to get the watch to glow.  I pulled out my favorite tool:  the multiple exposure!  I knew I already had the original shot in the bag, so I simply shut off my studio room lights, and shot the exact same composition and angle exposing for the glow in the dark faceplate.  Pretty simple.  Later I would just brush it in using layers in photoshop.

Now I realized I had another issue.  I am so glad I realized this at the time an not when I got in photoshop and had the whole set broken down already.  The issue at hand was the glare on the watch’s glass face I was getting from the camera angle I was at.  In my original shot, it wasn’t a big deal.  The glare was manageable and I feel it didn’t distract to much from the watch itself.  In the case of the glow in the dark watch, it really would have hindered the effect.  I knew if I changed the camera angle, relative to the watch, it would solve the problem, however it would not work well trying to merge the two copies in photoshop.  I could maybe move the light around and fix the glare, but then the face would not be lit like I wanted and most importantly the same way the first exposure was.  So what did I do?  Pulled out a circular polarizer, screwed it on the lens, and rotated it until most of the harshess in the glare was gone.  I could tell when to stop rotating, by watching the reflecting of the whole watch on the plexiglass disappear.  So in the glow in the dark image you see below, I used a total of 3 separate exposures to create a glare free, glow in the dark, studio shot of a watch.  I haven’t been doing a lot of landscape photos lately, but it is a good thing I had that polarizer in my bag.  It saved me a lot of time in photoshop in the end.

It all started a few days ago when Canon announced their upgrade to the popular advanced compact camera the G10.  I, myself have not even had my camera for a year and all of a sudden…G11!?  I could post a photo here on my blog, but I refuse to give into the advertising of this camera!  I don’t want to sound piggheaded, it sounds like a great camera.  Basically, Canon decided to keep the same camera body, and simply lower the megapixel count.  By keeping the same Digic 4 processor, the new G11, promises better low light, low noise, functionality at higher ISO’s.  That’s the other thing that pisses me off!  I love the G10, but honestly, I don’t use this camera above ISO400.  This is fine by me, because the reason why I bought the camera in the first place was to have  a small, compact camera to take snapshots and for creative “on the go” oppurtunities.  So in my opinion, the camera serves me just fine.  But, why the the hell put these ridiculous ISO 1600′s and 3200′s on a compact, when they are absolutely unusable?  It’s almost as if they put it in there for the spec value only.  Now, don’t get me wrong, Canon has an excellent idea about the megpixel count.  In fact, I have never been impressed my megapixels, and would take a camera that has better low light quality over resolution any day!  In the case of the G10, I want the megapixels though.  I find myself constantly using this camera as a macro camera and always cropping in on certain things.  The 15 megpixels that is has allows me to do that.  That being said, I would not trade in my G10 for a G11 anyday of the week.  Where the frustration comes from my part, is the feeling that Canon is releasing these camera’s, knowing that their performance might be suffering because of higher megapixel count, with full intention of replacing them within the same year!  Again, I might be satisfied with my camera, but I can tell you that a lot of consumers are not going to be happy about this.  The G10 is a $500.00 compact camera.  Now comes the G11 with features some consumers might be attracted to for get this…the same fricken price as the G10 is selling for:  $500.00.  And all within a year’s time.  I don’t want for this rant to sound like I am switching from Canon.  They make an unbelievable product.  I am completely satisfied with my G10, 40D, and Rebel.  In fact, I wish Canon didn’t take the 40D off the market, because with all the portrait and wedding work I have coming up, I want another 40D.  But come on guys?  Put your money into a good product and leave it there.  Don’t try and fix what isn’t broken!  With the way the economy is, hard working people are forking over hard earned $$ and they don’t want to be hearing of their camera being obsolete 6 months after they walk out of the store with it.  It just isn’t a good feeling for any consumer.  Slow down, keep the camera’s you have, and here’s an idea…Maybe put it into some lenses which haven’t been upgrade in the last 10 years?  Now there’s a thought!  

Canon G10 in the studio.

I like to shoot a lot of creative type stock images for both my portfolio and hopefully for someone to pickup on the “micro stock market”.  It might pay pennies, but the reason why I shoot this stuff is for the pure fun and creativity that is involved.  One of the many aspects I love using in my images is motion.  Conveying motion is not a difficult aspect, but is one that can easily be captured in camera, without engineering it in photoshop.  Below is an image concept I borrowed and expanded on.  I wanted to make an image conveying the extreme sense of waste that americans have nowadays with money.  By taking a Bogen Magic Arm, fitted with a super clamp, I was able to mount my DSLR, a canon 40d, onto a corn broom handle. 

This stock image of a broom sweeping cash, couldn't have been possible to pull off in camera without the magic arm.

The bogen magic arm features multiple ball bearing joints that allow you to adjust and position anything from a flash to a camera.  The unit is rated to hold the weight of a DSLR.  There are 2 types.  One has a friction arm so that you can fine tune the position of your camera or flash, similar to the friction balheads used on tripods.  The one I use, locks into place solid.  I prefer this one, because I know it will not vibrate loose and move on me.   Since the end plate is equipped with 1/4″ or 3/8″ lighting studs, attaching a tripod plate is easy!  If you want to mount a flash, simply screw on one of the hotshoe mounts that come with your standard umbrella lightstand mounts.

This is how I attached my camera to the broom handle.

Sometimes you need to put a speedlight in a place that is just not feasible for a lightstand.  How about a shower?!  Below is the setup image for an image I made in a shower.

This shows the super clamp and how easily it can be fastened to a shower head!

Why would I want to put a speedlight in a shower you ask?

How else do you back light a subject while taking a shower?

The image below shows the mounting system of a speedlight to the magic arm.  The amazing thing is, all three joints are locked by 1 lever.

A simple hotshoe mount from an umbrella mount is all you need to mount a speedlight to the magic arm.

here’s another giving her a little twist:

Being the sucker for a good closeup, I couldn’t resist:

The next day we decided to drive up to North Conway, home to the outlets, and Cathedral Ledge, a popular rock climbing spot.  We took the lazy way up (car to the top), and were greated by a breath taking view. 

Looking over the edge gave me a little vertigo!  What was more impressive was seeing human beings climbing over the top of this shear verticle drop.  If I had to guess I would say that the drop was well over a hundred and fifty feet.

Not just one, but several climbers were beneath this guy.  What a big responsibility he has!  He tied off to the saftey fence post at the top and belayed the rest of the climbers that followed.

Finally, who could pass up this beautiful backdrop?  Portrait time!