The Bogen “Magic Arm”, it’s better than buying that new expensive camera!

We all dream of getting that camera which we think will completely revolutionize the way we take pictures.  You know the one.  It might be a full frame for some of us.  For others, it might be that 10 frame a sec machine that would enable us to capture that bird we have been after for months now.  I must thank some of the photographers out there who made me think differently about accessories.  Guys like Joe Mcnally use these things daily and the fact of the matter is, these accessories will allow you to create not only better photos, but different photos.  Show me a camera that out of the box, you can fasten to the side of a moving car!  That $8,000 DSRL might be nice, but you need something else to put that $8,000 DSLR in a place that will give you a truely different perspective.  I am talking about GRIP EQUIPMENT! 

I like to shoot a lot of creative type stock images for both my portfolio and hopefully for someone to pickup on the “micro stock market”.  It might pay pennies, but the reason why I shoot this stuff is for the pure fun and creativity that is involved.  One of the many aspects I love using in my images is motion.  Conveying motion is not a difficult aspect, but is one that can easily be captured in camera, without engineering it in photoshop.  Below is an image concept I borrowed and expanded on.  I wanted to make an image conveying the extreme sense of waste that americans have nowadays with money.  By taking a Bogen Magic Arm, fitted with a super clamp, I was able to mount my DSLR, a canon 40d, onto a corn broom handle. 

This stock image of a broom sweeping cash, couldn't have been possible to pull off in camera without the magic arm.

The bogen magic arm features multiple ball bearing joints that allow you to adjust and position anything from a flash to a camera.  The unit is rated to hold the weight of a DSLR.  There are 2 types.  One has a friction arm so that you can fine tune the position of your camera or flash, similar to the friction balheads used on tripods.  The one I use, locks into place solid.  I prefer this one, because I know it will not vibrate loose and move on me.   Since the end plate is equipped with 1/4″ or 3/8″ lighting studs, attaching a tripod plate is easy!  If you want to mount a flash, simply screw on one of the hotshoe mounts that come with your standard umbrella lightstand mounts.

 

This is how I attached my camera to the broom handle.

Sometimes you need to put a speedlight in a place that is just not feasible for a lightstand.  How about a shower?!  Below is the setup image for an image I made in a shower.

This shows the super clamp and how easily it can be fastened to a shower head!

 

Why would I want to put a speedlight in a shower you ask?

How else do you back light a subject while taking a shower?

The image below shows the mounting system of a speedlight to the magic arm.  The amazing thing is, all three joints are locked by 1 lever.

A simple hotshoe mount from an umbrella mount is all you need to mount a speedlight to the magic arm.

Babies Babies and More Babies!

Up Close and Personal!

I don’t do a lot of baby portraits, but when I do, I must say that I am very lucky because the little ones seem to be just drawn to me and the camera.  This series of images is from a recent session with three different babies.  I was blessed to shoot in one of my favorite locations, a cottage that by itself, is a nice little portrait studio.  It features white walls, ceilings, and gorgeous light at almost anytime of day.  No need to setup lights.  I simply just bounce the flash and drag the shutter to get a nice soft, flat, light.  The ambient build up quite nicely and works as a great rims light if positioned correctly.  This little girl just loved the camera.  I was down at floor level, and just let her crawl towards me.  I was amazed at how close she got!  I had a 24-70 lens on a 40d body.  I know it is a goofy shot, but the awkward head size and expression sold me.  Normally, I shoot RAW.  In this situation, the lighting was so consistant and simple, I decided to shoot JPEG’s to save space on my cards.  I personally, love my images to jump with color right from the camera.  My simple way of doing this is by using the built in profiles that the camera has called “Picture Styles”.  I always leave my camera set on “landscape” as it gives me a nice combination of sharpness, and saturation, right out of camera.  I always try and go for warm, colorful skin tones, but always try to keep them somewhat in line.  I also, usually set my kelvin in camera to warm up the flash a little.  The next two images were shot using a 70-200 IS lens.  I was able to back up a little and throw the background out of focus.  To sum up all of this, when you are blessed with decent light, keep it simple and use your surroundings.  They can be walls, ceilings, or floors.   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Keeping the creativity flowing!!!

purse-web-0431, originally uploaded by craig.proulx.

Lately I have found myself creating more images on the fly. I lot of my stuff usually requires the need to setup lights, experiment with camera angles, and occasionally compositing images together. Because, I have been so busy lately with family things, I have been more opt to take along my compact camera. I think I have finally crossed the threshold where I am comfortable not lugging around a 400 pound camera and lens!

There are so many photo opps everywhere! In church, at restaurants. Even everyday things you take with you such as this purse! In fact, we where on our way to a restaurant for lunch, when we stopped to get gas. My lovely girlfriend’s purse was sitting on the floor. I picked it up and angled it by the car window so that some light poured on it. A very simple shot. I fired off a bunch of frames, trying different angles and compositions I liked. I might not have taken 20 minutes to setup for this, like I would in my studio, but it works. Whether or not I use it for anything dosen’t matter. The point is it sparked some creativity when my mind would normally be in lala land thinking of something else. In fact that day which was a weekend I walked away with close to 10 images that I am indeed going to use in my portfolio. They were all taken with a compact camera! I have to thank people like David Hobby and Chase Jarvis for doing things like daily I Phone photos for really inpiring me and showing what can be done with everyday activities!

The next photo was taken while at work at a university. The guy with me thought I was nuts! The very first time I had used this bathroom, I knew I had an image. I could see it, but just had to refine it and figure out how to manipulate it in camera and in post to get what I was seeing. When I was done, I can’t even begin to describe to you how nice it felt to have been productive in an environment which wasn’t a glamourous one! The lesson here: Always bring your compact and take it out when you normally wouldn’t! It might surprise you!

 

G10 takes on Macro!

Corn_web-0335, originally uploaded by craig.proulx.

Just when I thought I had experience everything with this camera, I realized that I had not yet made a closeup image yet. A major part of my photography consist of closeups and what better image to make then a nice summery ear of corn. For this image, I used natural window light coming in from the right. The light was soft as it was early evening. To fill in some shadows on the left side, I used a collapsable silver reflector. The G10 can even manually focus too, although I think I used autofocus for this particular image. I have been busy creating images for my stock/commercial portfolio. I have a lot of concepts which are on the back burner, so hopefully I will be pulling those out soon as well.

–Craig

Baby Paige Christening

Canon 40D with 24-70MM f2.8L lens. Canon 580EX, stroboframe, with stofen diffuser.

I was asked this past weekend to shoot a baby Christening.  Once again, the pressure was on to get some decent photos with little light, and a difficult angle.  This photo is of baby Paige and her godfather Jaime.  I liked this composition and moment the best out of all the shots I had taken.  To balance with ambient, I chose a shutter speed of  1/40 sec at F4.5.  I used my typical “event” shooting setup for this:  a 580ex mounted on a stroboframe with a stofen diffuser.  Getting the flash above the camera is key to avoiding red eye.  I always do a custom white balance for the flash, because I like my photos warm.  With consist light, the easiest way for me to shoot is in manual, controlling the background with ISO and shutter and flash with aperture.  I don’t usually do events like this, but it is a great opportunity to challenge myself and to try and be as creative as possible on the spot.